Netflix has been sharing its weekly Top 10 list of the most popular movies and TV shows in the US and worldwide since July 2021. While most of the titles on the list are produced in-house, Netflix still relies on licensed content from external studios to maintain its catalogue.

What is on Netflix’s Top 10 list?

The Top 10 list comprises the most-watched movies and shows in a given week, updated every Tuesday. While some titles on the list are blockbusters, there are also those that didn’t fare well at the box office or with critics but found an appreciative audience on Netflix.

For example, movies like “The Cloverfield Paradox,” “Bright,” and “The Kissing Booth” received poor reviews but became big hits on the streaming platform. “Army of the Dead,” “The Mitchells vs. the Machines,” and “The Queen’s Gambit” are among the popular titles produced by Netflix.

Why do critical and commercial flops find success on Netflix?

There are a few reasons why critically panned or commercial flops find success on Netflix. Firstly, the subscription-based model means that people can watch as much content as they want for a fixed fee. Secondly, the recommendation algorithm suggests titles to users based on their viewing history, leading to more people discovering and watching these movies.

Lastly, some titles may have been marketed poorly or have been overshadowed by other movies at the box office. When added to Netflix’s catalogue, these titles can find a second life and attract a new audience.

What are some examples of critically panned movies that found success on Netflix?

The list includes movies like “The Cloverfield Paradox,” a sci-fi thriller that was panned by critics but found success on Netflix. Another example is “Bright,” a fantasy crime film starring Will Smith that received negative reviews but was a hit on the streaming platform.

Other movies on the list include “The Kissing Booth,” “Project Power,” and “The Irishman.” These movies may not have been successful in theaters or with critics, but they have found a new audience on Netflix.

What does the success of these movies mean for the future of streaming?

The success of these movies on Netflix has shown that there is an appetite for all kinds of content, regardless of critical or commercial success. Streaming platforms like Netflix have the power to give a second life to movies that may have been overlooked or underappreciated in theaters.

This success also means that streaming platforms may continue to invest in producing or acquiring content that may not have been successful in theaters but could find an audience on their platforms.

Overall, Netflix’s Top 10 list has given us a fascinating insight into what people are watching on the platform and how streaming has changed the way we consume content.

Frequently Asked Questions

• What is the Netflix top ten list and where can I find it?

  The Netflix top ten list is a weekly updated list of the ten most-watched movies and shows in the United States and around the world, as revealed by Netflix. It includes both Netflix original content and licensed content from outside studios. You can find it on a dedicated site maintained by Netflix, which is accessible to anyone, subscriber and non-subscriber alike.

• What are some examples of movies that were box office flops but became hits on Netflix?

  Some examples of movies that were box office flops but became hits on Netflix include “The Irishman”, “The Midnight Sky”, “Bright”, “Extraction”, and “Enola Holmes”.

• What are some of the most popular shows and movies produced by Netflix?

  Some of the most popular shows and movies produced by Netflix include “Stranger Things”, “Bridgerton”, “The Crown”, “The Witcher”, “Bird Box”, “The Queen’s Gambit”, and “Narcos”.

• Does Netflix rely solely on its own original content?

  No, Netflix does not rely solely on its own original content. The company still relies on licensed content from outside studios for a big segment of their catalogue, and much of that licensed content continues to appear on the weekly top ten lists.